Thirty Seconds Over Tokyo (1944)

I've been bamboozled, but I don't mind. I went into my viewing of Thirty Seconds Over Tokyo thinking I was getting a Spencer Tracy film, but that wasn't the case. Tracy’s role amounts to probably less than five minutes of the 138-minute running time. He plays light colonel James Doolittle, the man who orchestrated an extraordinary carrier-based bombing assault on Japan in the wake of Pearl Harbor. Tracy pops up throughout the film, looking stern, giving the occasional order or making a speech. One is left with the impression that his role is bigger, but the movie actually belongs to Van Johnson. Johnson plays Ted Lawson, one of the many B-25 pilots who volunteers for the raid. (Another is played by a young Robert Mitchum)

The film offers a fairly broad survey of the events surrounding the raid, with a focus on Lawson and his fellow crew members — their feelings about the war and their personal lives. The film follows them through training and on to the raid itself, which is vividly realized (Oscar-winning effects) and surprisingly takes place just after the midpoint of the picture. Most of the second half lingers on events that follow, when the bomber crews were obliged to ditch their ships in Chinese territory overrun by Japanese troops. Dalton Trumbo's screenplay takes on a forgivably mild propagandistic tone as everyone aboard Lawson's B-25 is injured and needs to be cared for by Chinese civilians. Most other films of this type would show the crew struggling to escape from behind enemy lines using their nothing more than their wits, and probably nursing minor injuries. Not so here as almost everyone is incapacitated as a result of the forced landing and has to rely solely on the courage of the Chinese citizenry to make it to health and safety.

While the drama plays out half a world away, Johnson's all-American sweetheart of a wife (Phyllis Thaxter) is worried about her man. She is newly pregnant and frightened that Ted might not come back — though like any good war wife she keeps her chin always up and never lets her fears show. She and Johnson are both standouts, and exhibit that sort of “oh gosh!” purity that occasionally comes across as corn, but seems to strike the right chord in a film actually made during the war. I’m a fairly cynical viewer, but Thirty Seconds Over Tokyo evolves gradually into something of a tear jerker, and I was surprised by how the final scene tugged at me. Thaxter and Johnson play it pretty darn good.

Thirty Seconds Over Tokyo (1944)

Grade: B

Directed by Mervyn LeRoy
Starring Van Johnson, Phyllis Thaxter, Robert Mitchum, Robert Walker and Spencer Tracy
Released by MGM
Running time: 138 minutes.
Availability: DVD

The Actress (1953)

In MGM’s 1953 film The Actress, Jean Simmons plays the star-struck daughter of old salt Spencer Tracy. Simmons is enamored of a Bostonian stage actress and decides she wants to follow in the woman's footsteps. She writes a fan letter and receives an encouraging response, which convinces her she's destined to be a star. The arc of the film is concerned with the relationship of the father and daughter, as each tries to come to grips with the other’s dreams. Simmons’ youthful idealism runs smack into Tracy’s New England practicality and fatherly hopes. Of course money is an important part of the story, as there’s little to go around and Simmons needs to move to New York in order to take her shot. Things are complicated by Harvard nice-guy Anthony Perkins (in his screen debut) who is ready, willing and more than able to take Simmons off Tracy's hands.

Set in the early 1910s (which isn't an era that I'm typically drawn to), I still found this to be an enjoyable film, primarily owing to the performances. Once acclimated to his somewhat affected characterization — feisty, talkative, irascible — Tracy dominates the film. Yet he somehow manages not to overshadow the other actors, and Simmons wisely downplays her performance in order to create functional screen chemistry between the two. Tracy's character softens over the course of the film — or rather becomes more human — so that by the end we see him less as a blowhard and more as a father who truly cares about his daughter’s dreams. One of the reasons Tracy's persona here is so unusual is that he had to find a way to differentiate his character from that of the warm and fuzzy dad in the Father of the Bride / Father’s Little Dividend films, which were his most recent hits at the time.

The film primarily exists in the realm of drama, but there are a few funny moments, and one particularly comedic scene — in which Tracy and his pals put on a “gymnastics display.” It’s worth tracking The Actress down for this scene alone.

As mentioned above, Anthony Perkins plays the fur-coat college boy who wants to marry Simmons, while her mother is played (surprisingly) by 34-year-old Teresa Wright, only a decade older than Simmons. Wright shines, as usual, but is almost unrecognizable as a middle-aged Massachusetts housewife. Look fast for Mary Wickes juggling bowling pins!

The Actress (1953)

Grade: B

Directed by George Cukor
Starring Specer Tracy, Jean Simmons and Teresa Wright.
Released by: MGM
Running time: 90 minutes.
Availability: Warner Archive DVD here.